I’m an Animal, You’re an Animal Too closely examines the body of a falcon and its movements.  The camera moves from one part of the body to another, as if dissecting first the head, then the stomach, followed by a shoulder or a foot. The video eventually splits into two images, with footage of the falcon next to video of the artist.  Tracking with her eyes the falcon’s movements, she uses her body to “draw” the falcon’s gestures.